Saturday, March 1, 2014

GRUNDIG REEL TO REEL TAPE RECORDER. TK141.




In the 1950s and the 60s no voice recording devices were available to us and music for us meant music from the radio and the records played on the gramophones /record players. Reel to reel tape recorders also known as spool type recorders were the only familiar recording device which were not freely available in the market though.  Rare imported sets of brands like Phillips,Akai, Grundig, Pioneer, Panasonic etc., could be seen in some affluent/fortunate households.  Out of this, the Grundig spool tape recorders were the most seen. Despite various sizes of the spools and the cumbersome procedure to play them and record on them they were still coveted objects of music lovers. As youngsters, who could ill afford to buy even gramophone records and record players, they remained as one more item in our long list of gadgets to be acquired as and when our purse could oblige. The U.M.S. Radio factory at Coimbatore who used to manufacture the popular brand of UMS Radios under technical collaboration with Grundig, Germany, we thought, would bring out the Grundig model recorders in the local market at affordable prices. But our hopes were belied when the UMS-Grundig tie-up was terminated in 1970.

The position remained so till the beginning of the 70s  when there was a revolution in the Indian music scene with the arrival of compact cassette recorders. The portability of the device, affordable price, operational convenience and availability of choice made cassette recorders a huge hit.  Panasonic, Sharp, Akai, Bush, Philips and similar brands made in India were available to the consumers.  Soon they totally replaced records and record players. Since then there has been a sea change in the way people recorded their music and voice and the recording industry has gained dizzying heights with the explosion of digital technology.

But the desire to acquire a spool tape recorder, though latent, remained strong within. Years later it was with great thrill that I could  get an antique Grundig Reel to Reel tape recorder, the 1970 Model TK.141 made in Germany,  in very good working condition. It has a spool size of 6 inches with four track recording facility. Even after almost half a century the set looks beautiful without any noticeable scratches inside or outside the box. Of course thorough cleaning and a bit of polishing along with servicing by  an expert old hand helped. The  famous Grundig logo is very much there on the box in all its glory. Yes, the Grundig TK 141 is a proud item on my shelf of old music systems.

Looking at my small collection of gramophone records, record players, old radios, compact cassettes and cassette players and so on I often  wonder what purpose will it serve and what is the use of having all of them  when clear, cultivated and enriched music is available at one’s finger tips from anywhere in the house with a smart phone and a bluetooth enabled speaker system. Occasional visitors and friends also expressed the same thoughts and a few of them, I thought, even felt sympathy towards me. I can see them wondering what will happen to these old gadgets when once I leave the scene sooner than later though what happened to the equipments then is of no consequence to me. But the fact remains that more and more people, especially the young generation, is taking keen interest in collecting these gadgets, mainly gramophone records, record players and old valve radios as evidenced by the huge demand for them and the consequent increase in price. People are prepared to pay fancy prices for them. A visit to some of the sites like E-bay and Amazon will prove the point. Vinyl records are staging a big revival world over with many music companies cutting new LP records.

Coming back to the point as to what drives the young and old to take to radios and record players, etc., the reasons appear to be different for each. For the young it could be their curiosity. For those pursuing it as a hobby it probably is a compelling need. For the old it is nostalgia, the pleasure of walking down the memory lane and enjoying  music as they enjoyed it in the past. For the lovers of old music in general they offer a number of endearing features.
They feel that the warmth of sound, especially human voice, coming from an old radio or record player is nearest to the original. For them there is no better way of listening to Rafi, Lata, Talat,Noorjahan, K.L.Saigal, Hemant Kumar and so on, than on the radio or record player. They point out that, for many, an old wall clock with a pendulum chiming every hour/half hour is a dynamic presence in the living room. Similarly, for them, a record player/changer with a LP record turning in circles, filling the room with music and, at the end of the record the playing arm going back  on its own and resting on its small pedestal is an  enduring dynamic experience.This is ‘visible’ music for them. Besides, they feel that there is the need for active involvement of the listener in the process of listening. In a modern gadget a mere touch of the screen or a click/tap on the pad produces music. But on an old radio searching for favourite stations and tuning in becomes a skilled job! On  a record player the process starts from  taking out the record from its jacket, wiping it, placing it carefully on the turn table, adjusting the speed, switching the set on, lifting the arm and placing the stylus(needle)gently on the edge of the turning record without  shivering of the hand and then adjusting the volume level. The ardent user took pride in placing the stylus on the record without the help of the cuing lever which many record players provide. Yes, it is music hands on! One more point. One can listen to music at random without an option to select the song. A radio offers this. The pleasure of suddenly hearing an old much loved song over the radio is immense. One can also  select a favourite song and listen. A record player offers this.

These points may be real and valid. They may be imaginary and arguable. But the lovable, old music devices continue to fascinate a whole lot of music enthusiasts even today.





Tail piece:- Grundig A.G., the German giant in  consumer entertainment electronics since 1930 and a very popular household brand in India went  bankrupt in 2003. The brand GRUNDIG itself has now become memory!

1957 Grundig Ad.

Wednesday, February 5, 2014

SUCHITRA SEN - BEAUTY AND TALENT.




Legendary Bengali actress Padmashree Suchitra Sen passed away on Friday the 17th January 2014 after a brief period of illness. The media had come out with the usual obituary references as well as detailed biographic sketches and tributes for  her contribution  to Indian films in general and Bengali films in particular. A lot was written about her ethereal beauty, her acting talent, her  enigmatic personality and her shunning  all publicity and public appearances to live in reclusion.

Suchitra Sen’s contribution to Bengali films was immense with most memorable films like AGNIPARIKSHA,  SAAT PAAKE BANDHA,SATPATI, SAGARIKA, UTTER PHALGUNI and so on which gave her a place in the hearts of Bengalis equal to that of the great Kanan Devi. Her thirty odd Bengali films opposite the matinee idol Uttam Kumar catapulted her to the heights of popularity till 1978 when she suddenly decided to leave everything behind to lead a lonely life of her own.

Film goers of this part of the country had only limited opportunity to see the Bengali films of Suchitra Sen and our memories of Suchitra Sen’s films  still linger with her seven or eight Hindi films including Bimal Roy’s DEVDAS (1955) in which she made her debut in Hindi cinema. The much acclaimed film with Dilip Kumar donning the role of the tragic hero( the title stuck to him forever) which fetched him the Filmfare Award for the best actor. The film  
 also had Vijayathimala in the lead who gave outstanding performance with Suchitra Sen. It won the National Award for the third best film of the year. What still lingers clearly in my mind is the music of S.D.Burman with Talat’s Mahmood’s  ‘Kisko khabar thi’ and ‘Mitwa laagi yeh kaisi’ and Lata’s  ‘Oj Jane wale ruk jha’ being the best of the lot.



In fact one of the prominent features of Suchitra Sen’s Hindi films was the beautiful melodious songs which are even today a rage among singers and listeners. The most notable is Filmyug Pvt.Ltd.’s  AANDHI(1975) starring Sanjeev Kumar and Suchitra Sen with haunting music by R.D.Burman. A couple of the best ever duets of Lata and Kishore Kumar, viz., ‘Tere bina zindagi se’ and  ‘Tum aa gaye ho noor aa gaya’ besides ‘Is mod se jata hain’  prove the  point.The Director of the film Gulzar  himself had penned the lyrics and the film bagged the Filmfare Awards for the Best film and Best actor.(Sanjeev Kumar).The performance of Suchitra Sen received a lot of critical acclaim but there was also enough controversy surrounding the character played by her for its similarity with the former prime minister Smt.Indira Gandhi.
 
Film AANDHI had followed another highly successful film  Charu Chitra’s MAMTA(1966), a  Dharmendra-Suchitra Sen- Ashok Kumar starrer directed by Asit Sen with music by Roshan. This was a remake of the superhit Bengali film UTTAR PHALGUNI with Suchitra Sen in the lead which won the National Award for best film in 1963. Film Mamta was best remembered for Suchitra sen’s acting and Roshan’s music. Lata’s  ‘Rahena rahen ham’ and ‘Rahte they kabhi’ are still as haunting as ever.The Lata-Hemant Kumar duet ‘Chhupa lo yun dil mein’ is another outstanding number of the film.

Musicwise, probably the best remembered Hindi film of Suchitra Sen is Naya Film’s BOMBAY KA BABU(1960) with Dev Aanand playing the lead opposite her. While the film as such was not a big hit, the songs composed by S.D.BURMAN are among his best compositions ever. The Asha-Rafi duet  ‘Deewana mastana hua dil’sung with great verve and lilt is an all time favourite of listeners. In ‘Saathi na koi manzil’ Rafi is at his melodious best. The Asha Bhosle number ‘Dekhne mein bhola hai’ is even today as sweet and catchy as ever.There is also one of the top songs of Mukesh viz.,the grief filled ‘Chalri sajni ab kya soche’ reminding us of his evergreen ‘Ansu bhari hai yeh jeevan ki(Parwarish), ‘Saranga teri yaad mein(Saranga) and ‘Dil jalta hain to jalne de(Pehli Nazar)  and so on.

In our younger days when cinema was  the main form of entertainment there were several films, film producers, directors, actors and actresses, music directors, singers, lyricists and so on who, with their talent and efforts, had  made our life happy . Eventhough most of them have inevitably left the world, the pleasant memories about them and their contributions, the records and songs and a peep into that glorious past give us many enjoyable hours even now. It is sad that one of the most beautiful and talented personalities of Indian Cinema, Suthitra Sen, has also left us.






Tail piece:- The beautiful face of Suchitra Sen reminds us of two more faces of beauty  in similar mould; one of the past, the Mughal-e-Azam  Madhubala and the still active other, the Yaraana Madhuri Dixit.

Tuesday, January 7, 2014

ABOUT MALAYALAM FILM 'MELA'





 The Malayalm film MELA (1980) written and directed  by Sri K.G. George, though one of his less celebrated films, but still was a much talked about film when it was released in Kerala. It came  close on the heels  of two of his award winning  and critically acclaimed films. One was the State Award winning  debut film SWAPNADANAM(1975) with Rani Chandra and Dr.Mohandas in the lead. The other ULKKADAL based, on a story in the same name by Sri George Onakkur, had Venu Nagavally and Shobha in the lead .

What made the film SWAPNADANAM  a milestone of Malayalam cinema  was the novelty of the theme brilliantly handled by  director K.G.George and the outstanding portrayal by Rani Chandra and the new comer Mohandas.  The film ULKKADAL  also saw great acting by Shobha and Venunagavally. Music by the maestro, M.B.Srinivasan, was another distinguishing feature of the film with the haunting duet penned by Sri O.N.V.Kurup and rendered by Jayachandran and Selma George,Viz.,’Sharabindu  malardeepa naalam’  proving to be a great hit. Several successful films followed establishing Sri K.G.George as one of the most successful film makers in Malayalam.  KOLANGAL (1980), YAVANIKA(1982), notable again for the performance of  Thilakan  and Gopi, LEKHAYUDE MARANAM ORU FLASHBACK(1983) , ADAMINTE VARIYELLU(1983) and IRAKAL(1986) were all landmarks in the history of Malayalam cinema.
Coming back to film MELA, it was unique in several respects apart from the fact that it was the debut film of actor Mammootty, who went on to become a super star and continues to be so even now. The film MELA  was, probably, the first film in Malayalam after NAYAR PIDICHA PULIVAL, to deal with circus and the life of circus artists and Mammootty played the role of a motor cycle stunt jumper . The comedy  interludes in a circus used to be managed by a couple of dwarfs and in MELA  the hero himself was a dwarf played by Raghu. The romantic lead opposite him was played by actress Anjali Naidu. The film had big entertainment value with circus items thrown in between and on the whole it was well received. Memories of seeing the film at Thiruvananthapuram still linger. What I still remember and what impressed me most was the music of M.B.Sreenivasan, especially the song ‘Manasssoru maanthrika kuthirayay payunnu’ , penned by Mullanezhi  and soulfully rendered by Jesudas. In fact M.B.Srinivasan was Sri K.G. George’s favourite music director  doing music for all his successful films except SWAPNADANAM.There was also another beautiful song ‘Neelakkuda choodi vanam’ by Selma George. The song ‘Manassoru maanthrika’ and ‘Sharabindu malaedeeepa naalam’of ULKKADAL are arguably the best songs of MBS in Malayalam films. It is sad that Selma George was not heard much in Malayalam films in later years. The hero of MELA, Raghu could not also achieve what another similarly endowed artiste, Pakru, could achieve in films like ATBHUTHA DWEEP years later.
http://www.youtube.com/watch?v=_iom_MdO0is

The song ‘Manassoru’ used to haunt me and my efforts to get a gramophone record of the song could finally succeed recently to my utter delight prompting me to scribble a few lines as above.